The Order of The Spider

“I believe there’s a hero in all of us. That keeps us honest. Gives us strength. Makes us noble. And finally allows us to die with pride. Even though sometimes we have to be steady and give up the thing we want the most. Even our dreams.”  – Aunt May

Spider-Man did that for Henry. At least, that’s what Aunt May says in Spider-Man 2. The first Spider-Man 2. But here’s the thing, Spider-Man didn’t only do that for Henry, did that for me, too. Spider-Man does that for a lot of people.

When I was an eighteen-year-old, college freshmen I found religion. I am using the term loosely here, or maybe just in a way that we don’t use the term in society nowadays. See, when I talk about religion, ever since my teenage years, I don’t limit myself to Christianity, Hinduism, Buddhism,  et cetera. My understanding of religion has always been so much more simple than that. The religion that I found at eighteen was something that got me out of bed in the morning and allowed me to have a positive influence on the world around me without pressuring or forcing my beliefs onto others. And that’s what I think religion should be. It doesn’t need a fancy title or written rules, it just needs to be inspiring.

Cool, that’s pretty boiled-down. This idea of religion is also what attracted me to the idea of Omnism, or the belief that all religions are true and genuine. When I called myself an Omnist, I did so with the idea that everyone was allowed to believe whatever they wanted and, as long as they did so in a way that did not force their beliefs onto another or inhibit one’s experience, then I thought that was just groovy. Bill Maher, in his movie Religulous, claims something along the lines of the fact that no human being has the ability to understand what happens after death, so his guess is as good as anyone else’s.

I always liked that idea, and I carried that with me as an Omnist as well. I understood that because I had no more clarity or surety of which religions were true or false, I had no reason to mock or belittle anyone for believing what they believed. 

Sorry, tangent. A reasonable one, though, I promise. Let’s circle back to Spider-Man. Spider-Man represents responsibility, guilt, passion, will-power, humanity, moral fiber, pride, humility, and so much more. When I was younger, from about four- to seventeen-years-old, I did go to church, and for most people that’s enough to gain these lessons. That’s why people go to church after all, to learn to be responsible and ethical human beings. What I didn’t end up getting from church, I picked up for six-dollars at the local comic shop in Albuquerque, New Mexico.

On breaks between classes every Wednesday I would hike a mile up the street and scoop up the latest issue of Ultimate Spider-Man. This started as an outlet for my social anxiety, my loneliness, and even my fear of the future, but what it turned into was a passion to be like the hero I read about. After seeing my problems reflected in someone a thousand times stronger, I began to rationalize. I began to understand that I am capable of solving the exact same problems as a Super Hero. Spider-Man more than any other because, many people may not know this, but Peter Parker doesn’t use his Spider Powers to solve all his problems. In fact, they probably cause more problems than they solve. No, he uses his brain.

Hey I have one of those.

And he uses his wit. Hmm, I have a little of that too…

Alright reader, I’d like to sum up here. When I was younger, I found a book that made me understand the true struggles of human nature and the inner workings of the human soul. I poured over volumes, made weekly donations to a good cause, i.e. the writers of these books, and I tried to be a better person because of it. Simply because my idol dresses in a red and blue onesie doesn’t make him any less valid than any other (Oh, and by the way, I know that his costume is actually comprised of several pieces, not actually qualifying it for the “onesie” category, but that kind of has less impact for my point here). And I hope that you feel the same. I hope that this encourages you to take pride in your own religion, whatever that may be.

Thank you, reader, thank you so much. I almost gave up on this blog not too long ago, but even if one of you comes by and picks up a few of my words, I will consider this a worth-while endeavor. Best of luck out there! Until next time.

Starbucks Plays Jazz

The heart wants what it wants, and unfortunately mine was bent on her. A touch of lust, a taste of chapstick and an itch worth scratching.

When you’re young you’re blind enough, stupid enough, to make bad decisions even if you see the consequences coming. Because you also see that you have plenty of time to roll with the punches.

She made me wait. Every time I met her, and I didn’t mind. Hell, I appreciated it. I wanted to wait for her. She was the kind of girl who made you want to wait.

Smoke rose from the puckered mouth of a woman draped in a summer shawl out my window. Her hair shifted and shuddered in the same breeze that swept that smoke away. Traffic ran, busses horned their way into the intersection, and I watched a couple of bums scutter around on their wheel chairs. I had nothing better to do. I had nothing better to do in the whole world than wait for this pretty girl and watch the lives pass by on the other side of the glass.

A twinge of guilt at being caught staring at the man who held a sign that read “Jesus is Weed” forced me face first back into my orange juice. Bitter concentrate that always makes me wince, but it cools my hot face. Cools my hot neck. And burns my stomach.
I left the coffee house to wait for her outside under the shade of the surrounding buildings, glass and cement behemoths that overshadowed the cranes that built them just a few years back. A couple of kids almost ran me over on their bikes and another came up to ask for drug money. Not an insinuation, he flat out told me he needed money for drugs. I let him talk to himself, turned him a deaf ear.

I felt out of place, out of my element. I’m a small town kid, grew up on an island. I wasn’t meant for crowds or towers. I was meant for mountains and blue water.

And when she came up the street to meet me, I forgot all that. I forgot the pain in my throat from drinking citrus, I forgot the sunburn on my face. Instead I set my mind to believing how good she looked in that red sweater.

The Microcosm

Here we lay all out worries to bed. Here we sit and think about the day ahead. Here we play with partners new and old. Here we dream dreams so bold.

A bed is a lot of things and even more things to the right people. Some portion of my life, a bed was made to be slept in. Later on, I discovered so many other uses. Staying up late watching TV, building forts, eating cereal and rolling around with my dog, even doing homework seemed more interesting, more tantalizing when I did them in a bed. Maybe it was the taboo nature of it, the idea that this place with a specific purpose could be cheated, tainted by new activities. I never struggled when I was in bed. It was a happy place. Even when I got sick and had to stay home and spent the whole day lying in bed with a trash can near my pillow to catch vomit intermittently, I felt at peace. Nothing could bug me in my microcosm.

A small world designed around small needs. Simple needs that could be met easily and clear the mind. I’ve had some amazing conversations in bed. With friends, parents, lovers and some who fell between categories I could find commonalties. Sharing ideas and worries comes easy when you share first the soft embrace of a world built around the concept of putting a body at rest. Relation between mind and body simplify that knee-jerk reaction to relax.

If a microcosm exists, if there is a world where time can slow and pass at amazing rates, I know where to find it. Tucked in with worn pillows and tattered blankets, sheets that have been packed away and taken out over and over. A microcosm of discovery both mutual or self, heart and mind, as bear as the thread. If you are weary come rest your head.

It’s the place I learned to dream, the place I learned love, the place you can come and go as you please and it’s always the same. Go to bed, little one.

Good night Reader.

How to Run Away

There are points in life when you start to feel the need for a change. It happens to everyone. I, myself, have googled the question by which this post earned its title more times than I can remember.

More often than not, when I start to seek advice on how to escape from it all it’s when everything I’ve felt pressured by, school, work, family, friends, bills , et cetera, piles up to the point where I felt as though I would either burst or collapse with the effort of keeping it all together. I’d imagine myself drifting off, losing all contact and starting over. Sometimes the places I’d drift to would be simple places, like a new city in a new state, but as I grew old the places became more extravagant. I would day dream of a new country or being a boat out at sea belonging to no nation.

In the past, when I felt this way, I would usually contend myself with an online search for far off places and the promise that one day I would visit those places. Then I would return to normal life, slightly less overwhelmed than I had been. But every once in a while this mounting desire to escape everything I know did reach an actual breaking point. I can narrow these moments down to six spots in my personal timeline, six pivotal moments where instead of just thinking about running away, I did it.

Just as most of you reading this probably are, I am a rational person. I try to think things through and plan ahead. Mostly. This fact makes it extremely difficult to run away. Difficult, yes, but not impossible. Have hope reader, this is not another blog about dreaming of running off in the night, this is a blog about how to actually do it.
As I said, in my adult life I have actually run away a totally of six times. Once directly following college, once when a family member needed me, and thrice when I just plain became bored with my situation.
After college was easy. I’d finished with a degree and needed a change. Obvious. This played a major role in my realization of the benefit of not running away, but running towards.

There is a lot of focus when someone is running away on the actual ‘away’ factor of it all. It may make sense, but it honestly is not be the best thing to focus on. If you focus too much on getting away from something, you start to lose focus on what you might find once you’ve made it away from the thing you’re escaping. From experience I can tell you, this makes for a lonely life once you’ve landed in your new home. You’ve spent so long thinking about what you’re about to leave that you don’t know what to focus on once you’ve gotten away from it. You end up in a new place with no direction or course of action. This may seem exciting as a concept, but then you realize the amount of work goes into making new friends, finding a home, getting a job and everything else you need to put into place just to satisfy your basic needs.
Instead of thinking of running away as your great escape, it would be best to find something to run towards.

After college, I was running away from a city, an ex-girlfriend, toxic people and a lack of possibilities for creative outlets as well as career goals. I was running away from a lot. And I learned once I got away that I now had to find something new to focus on. I’d spent so much time dwelling on all the negative that I would be free of that I didn’t consider how much I would have to reboot my thought process. In just the time it took for me to drive from New Mexico to Illinois I had all this free space in my head that used to be taken up by those negatives. And it scared me. I felt the void that this move created in me. Even though I’d purged myself of negative thoughts and feelings, I had nothing to replace them. I felt empty.

And it took me months to recover.

The next time I ran away, instead of leaving in a panic, I set my sites on a far off place where people were waiting for me. I chose to move to cities where I would have family, so instead of focusing on getting away from a drab city I could find a city where I could spend time with family. I now had a positive to fill the void that running away creates.
If you don’t have extended family or friends drifting about the country that are willing support you through this move, your other option is a job. Every so often I will toss a job application out to a position in a city I’ve never been to. This may seem silly at first, but once I’ve started applying on jobs outside of my city, I start to think of all the potential. What if I got a job two states away? What if I accepted the offer and I had to move in a month?

Thoughts like that would refresh me and get me thinking of life outside my little bubble. I would see potential in a life I haven’t lived yet. It makes the day-to-day struggles much more palatable. It also makes me feel productive, which is huge for me because I start to get depressed if I don’t feel productive.

I’ve moved for a job twice in my adult life, and I want to say that moving to a new city where I already had work lined-up was so much better than moving to be near family. For one, I instantly felt productive and useful. Sure when I moved for family I had a feeling of being welcome, but being able to instantly appropriate into a new member of society calmed a lot of my nerves that normally light up when I move to a new place.

If you don’t have family in other states or a job waiting for you, it is entirely possible to skip out on life and start over. It’s also entirely possible to drop out of high school then become hugely successful. It’s possible, but there are also easier ways to do it.
As a man who has run away from a lot, I have run towards so much more. And since I’ve started doing that, I’ve found I am a lot happier. You can still find a more exciting life, reader. You can leave toxic environments, people, and jobs. You have so much potential. Don’t waste it on rushing into the next step. Take your time, settle on something positive you can achieve rather than something negative that you can overcome.

As always, reader, thank you so much for stopping by and reading some of my thoughts. Until next time.

The Process Pt. 2

You start with a hunk of marble or a slab of ice and you carve away all the unnecessary rock or frozen water until you find the sculpture within.

That’s essentially my process when it comes to creating.

When I sit down and everything lines up and the planets are out in space doing what they do, it takes such little time to actually get in the mood. When I sit down to create, I am in the mood to create. With a blank screen in front of me, I want to fill it up. Starting, adding in spaces, pulling punctuation out of nowhere, it’s all a modest experiment, but every moment of it feels like I am working towards a goal. The blank page is my block of untouched marble.

Just as every marble statue doesn’t end up being David, every blank page won’t end up as something publishable, or even readable. I go into this process understanding that, and I hope you go into reading this blog about my process knowing that I understand that… on part two.

Let’s begin where I started. This is the point where I decided to write.

In my senior year of high school my English teacher told me I should be a writer.  This was the first time someone told me I was good enough at something that I could do it for a career. So I ran with it.

Up to this point I’d only ever received questions form my parents or teachers about what I wanted to do and where I wanted to go in life. The moment this teacher, a woman well along in the way of life experience, told me I had talent something clicked inside of me. From that moment on I wasn’t sure about anything except that I wanted to be a better writer.

Flash forward a few years, I graduated from college with a degree in English with a focus in creative writing. This one person’s kind words, the fact that my English teacher took the time to pull me aside and tell me I was good, drove me to become who I am today. As I sit here and type this all out, I’m astounded at how malleable I was as a seventeen-year-old, and how little it took to shape the rest of my life. If she’d merely written, “Good job!” underneath my ‘A’ on the top of the essay, who knows what I would be doing.

I often imagine what it would be like if I used the written word to make a living. Would I enjoy writing if I had to do it to pay rent, go on vacations and have fun, or would I chalk it up to something I do just to make my way in the world?  Would I want to write if I had to?

That brings me to the second subject of the second part of this blog about my process. The Why.

Why do I write.

I recognized a few weeks back that I was depressed. At this point in my life, I’d achieved a massive career goal I’d set for myself in a much shorter time than I’d thought possible. I’d just moved to a city that had everything I could imagine wanting, and I was now capable of taking on a lot more personal responsibility than ever. What made me depressed was the fact that I didn’t know what to do with myself.

For my entire life I knew what to do next; Go to school, get a job to pay bills, apply on better jobs to make paying bills easier, it all seemed pre-determined. The passed two years I’d spent making small choices based on the end-game that I could eventually get the job I now have. For two years I had a drive for something bigger.

When I got that something bigger, it actually felt pretty small.  There was no massive euphoric state to accompany it, there was no chiming of a bell in my head followed by cheering and whooping, and there was barely a congratulations you did it. In fact, no one seemed to really care. Even me.

This was not something I realized all at once. I am not that self aware. In fact, this took me about two months to realize. And it took me another month to learn how to understand this feeling. 

Writing helps. When I get to sit down and put my thoughts on a page and read through them and have others read through them, it makes me feel solid. Counter to that, when my ideas are floating around in my head and intangible, I feel as though I don’t have a grounding to the world.

Often, I feel this way at work. I find myself drifting throughout the day, not focused or thinking clearly, and I’ll pull up a word document on a computer and spill my guts. This might come in the form of a little story or a big confessional blog post like this one. And afterwards, I feel as though I got something out, something that was making me feel sad and lonely and isolated. Suddenly, with this thing out of me, I am able to get on with my day and interact with other people in a normal way.

The fact that I can focus on my craft and scribble away in notebooks or click at a keyboard and create thrills me. I love it. I really, really love it. And with this blog I can share it with anyone who wanders by. This ability to release my ideas out into the world has added a whole new level of enjoyment to my process. In fact, it is this enjoyment that ensures I take great care that what I publish is up to snuff. Because I value this process so highly, I decidedly cannot take it for granted.

Let’s talk about editing. I come from a generation where publishing online is easy. Anyone with a computer and access to the internet can publish their writing online. This means that there are so many ideas out in the world. This is as daunting as it is encouraging for me.  Sometimes I feel as though I am just another person voicing his ideas.  I have to consider that there are a lot of other people out there that may have the same ideas, or similar ones, and are capable of sharing them better or in a more interesting way. This also means that there is a lot of garbage out there.

Sorry to put it so bluntly, reader, but I wanted to get it out without beating around a bush.

As a reader of internet articles, I’ve been in the position where I have read about two-thirds the way through one of those articles only to realize that none of the ideas were grounded in fact and the writing read as though the author hadn’t bothered to read what they wrote before publishing it.

Looking at the fact that publishing online is so easy, I spawned my first ground rule: I would read and re-read everything I publish on this blog until find no flaw. Then I would consider the post as an outsider would. If I saw no issue with the post, I would publish it.

One thing you should know about me to understand how much of a commitment this is: I hate to read my own writing.

Self-editing my work is an arduous and tedious task, but I do it, and I’ll keep doing it because I respect you. You’re the one who found this blog, and I want you to feel as though I put a lot of work into sharing with you. I want you to understand that I care about what you read.

I am hopeful for this outlet that I have discovered because I love to write. It’s how I heal. I write because I understand the written word. I understand how to pull two ideas together on a page. I love that I can show people whatever I want just by chipping away at a blank page. I write because an English teacher once told me I was good enough to write at a point in my life when I didn’t think I was good enough to do anything. If you’re at that point, reader, if you feel like you can’t do anything right, I’m here to tell you that there is something out there, some small and obvious thing that you can do in a different way from everyone else. It’s this small thing that makes all the heartache and the headaches and the long days and cold nights all worthwhile.  I was so fortunate to have found that one person who encouraged me at just the right time in just the right place.

I hope you found this two-part post about my process as enjoyable being a reader as I did being its writer.  As always, thanks for stopping by. Until next time, reader.

The Train Manager

I’m not sure I have the words to tell this story. Hell, I don’t know if anyone does. To see a God among men is a true site, and to try and hold that God down to our standards and the words we use… Well, I’ll try, because I want to let people know he was there. I want to tell people that He wasn’t a myth or a legend or anything else but a regular man. Except, he was all those things.

You see, back during the fallout of our great depression, the country spawned a great many shanty towns that the locals called Hoovervilles. This was a play on the name of our president at the time, Herbert Hoover.  A lot of us blamed Hoover for our unemployment and decline of social status, so we named our poor condition after him. We named a lot of bad things after him.

What you may not know is that this wasn’t isolated to the main cities. I’m sure you’ve heard stories about the New Yorkers taking up ramshackle towns in Central Park, or the Bonus Army camping out in the Anacostia Flats.  What you may not have heard about is how smaller cities were effected.

In our city, for instance, a small collection of buildings and homes on the boarder of Pensilvania and Maryland, just like in New York, Washington and Seattle we all scattered to the parks and alleys in our tents to hide from the reality that there was no place for us to go. We hid in the cracks and shadows of the world. Some of us fared a whole let better than others because we didn’t have the family to take care of. These were the lucky ones who didn’t need to watch out for anybody but themselves, and that made them fortunate. Can you believe it?  Being lonely suddenly made us more hopeful.

Now, those boys and girls who could scourge up a tent or sneak in with their neighbors who took pity on them, they were all fine and they could get cover from the rain and the snow.  That’s the problem with the tent life, though.  If it rains, good luck getting to sleep that night. Not only are you going to be breathing the smell from the socks you’ve been wearing for a month, but that rain will pound on your leaky curtain of a tent and keep you awake with every sad memory you’ve got.

There was station in our city. A train came through there about three times a month and dropped off goods for our general store. It was a big one that I;m sure the government meant to start using more once they developed more destinations.  They put a lot of time and money into this station.  The main building was above ground and two stories tall. Then, inside, you had a great big lobby and a staircase with maybe a hundred steps that lead down, underground. From there, four tunnels lead off through the hill that our town sat on. At the end of those tunnels, which ran a good half-mile in each direction, you could see sunlight as if it were the glow of a distant headlight on the front of a train.

When the depression hit, those trains coming through our town went from a trip three times a month to once a month. Then five times a year. Eventually, they stopped coming altogether.

We were a thrifty city, though. When the train quit coming, that’s when Scuffy, the station manager, decided to make use of the abandoned building. He invited people in. The cover of a full station and the use of it’s long tunnels made for a nice place to keep out of the cold of winter.  Soon, it seemed the whole city was hiding out in some corner of Scuffy’s station.

We never called it a Hoover Station. No, even though we were suffering and crying and looking for anyone to blame for our plight, we never blamed anyone but Scuffy for our sanctuary. And since he didn’t have much of a job managing the schedules of the train through his station and keeping people from ruining those tracks, he started looking after us instead.

Scuffy would spend his time wandering around the station to chat with the new folks, and keep up on the days of the folks who had been in his station for months. He never told anyone to leave and he always made room for people who needed it.

I was personally invited by Scuffy to be a member of a team of young men. Our goal was to heft a handful of un-used train cars from down the track meant to be sanctioned off for repair and bring them right up to Scuffy’s station to be used as new shelters. As a reward, I was given a whole third of that train car to settle into. I ended up sharing it with two families, but I knew what it was to be grateful of Scuffy’s generosity and I never complained. Even when the babes cried most the night or when one of the guys broke our stove, I didn’t find any reason to complain.   


One day, this real pretty, upper class girl shows up out of nowhere.  We didn’t pay her much mind because she wasn’t the first of the upper class folk to wander into our community. We’d seen lawyers, stock brokers and even a few politicians come through Scuffy’s station.

She stood there, silent and still, holing on to the last thought and hope that she had in the world.  A dress still pink and bright, and her hair neat and tidy atop her head.

Like I said, we didn’t pay her much attention, but then along comes Scuffy. He’s out one day doing his rounds and he sees her. Being the friendly guy he is, he introduces himself. Asks her what’s wrong. At first she was reluctant to accept any kindness, as we all were at the start. But then she starts to cry against his vest and he just holds her real tight. And Scuffy, he’s got a great laugh, so infectious. And he starts doing that then, at the bottom of the staircase that is the entrance of his train station. All around him are lonely people, people who have lost everything, and he takes an extra moment to grab on to somebody just to let them cry on his vest. And he’s busy as hell, getting everything in order and making all the right choices for everyone that now lives in his station. Hundreds of them, by the way. That’s including yours truly. I never got the chance to cry on old Scuffy’s vest, but that’s not to say I wouldn’t have if I didn’t find the opportunity. He’s that type of guy.

Anyway, she pours her heart out into this stranger’s vest all because he was kind to her. And you can tell Scuffy is kind, too. The moment he says something to you. He may look big an dirty with his massive graying beard and dirt and oil stuck in all his pores and under his fingernails, and the tattered clothes he wears. But the moment he says hi to you and starts to ask you what’s the matter, you know he’s got the biggest heart you’ve ever heard of.

She told Scuffy she was scared and tired and so sad, and you know what Scuffy did?  He laughed. And I swear, there wasn’t a bit of malice in that laugh. He never laughed to be mean, Scuffy. And she knew that. And you know what else?  She started to laugh, too. Because, he explained to her, everyone was scared these days. Suddenly, she didn’t seem as lost as she might have thought, because down here, in Scuffy’s station, everyone was in the exact same boat. The kicker was, hardly any of us knew what put us there. One day you were eating pudding on their big old couch watching the news, the next day your home was just gone.

Scuffy wrapped a big arm around this pretty girl and walked her deeper into his station. He found a group of people, good ones who he knew well, and when he introduced her to them he tossed her a wink, just so she would know everything would be O.K.

That was the kind of guy that Scuffy was. A man who opened his entire train station to the people of his city. He saw giants fall to ants, stars crumble and great men become mice. There was nothing Scuffy wouldn’t do for those people, and for months he walked all over those underground hallways and talked to people and helped where he could. No one ever asked Scuffy for anything. We all appreciated him, saw him doing good, and we figured he’d done more than enough for us making sure we didn’t have to live in a tent in the park or a dumpster in an alley.

He always found those who needed a little kindness, a little extra love in a cold world, and he gave it. He gave so much.

Some of us didn’t know he was sick. Some of us watched him walk all around with a smile on his face and a couple of kind words on the tip of his tongue and we thought everything about him was dandy.

It broke my heart when I heard what happened to Scuffy. The illness ended up effecting his memory. It started easy enough, with people’s names or the time. For instance, he’d have to check both his wrists for his watch before he could find it.

Then he started losing the days. The people closer to him would remind him that it wasn’t in fact Tuesday, but Friday. And they’d have to watch as that eye of Scuffy’s that’s always so full of hope would soften and drift off as he realized he’d just lost three days of his life.

I say it broke my heart when I hear what happened because I was one of those that didn’t know at the time. He always asked me how I was doing, and if I asked him back, he always gave me the same cheery laugh.

Eventually he got worse. He would be sitting in one of his run down train cars that we’d pulled from the tracks, chatting with a group of guys that came to visit from time to time. And he would ask about the pretty young girl he’d found the other day. He’d be so proud of her because she had a fiance that was going to marry her and take her out of this dump. At first the men would laugh along, they must’ve thought Scuffy was being humorous remembering the past like it’d just happened.

Soon, though, they realize he wasn’t being humorous at all. And they’d have to tell him in the same kind voice that he’d offered them all that time ago. They’d explain that she’d left the tunnels. She did get taken away and she wasn’t engaged anymore, she was married.

And Scuffy would lick his teeth and pull on his gray beard and just lose himself in all the thought he had as he tried to catch up to the present.

Just breaks my heart to even think about that poor man.

The Process Pt. 1

Someone asked me recently how I found the time to write in my blog. I want to put this in perspective before I go into a lot of detail about my creative output.

I went on a date recently with an individual who had just lost her job, was planning to move away to grad school in five-months and expressed an interest in publishing her own blog posts as a hardcover collection by the end of the year, December 2018. She obviously had a lot on her plate and seemed to be seeking advice. I have never felt like the type of person anyone would need advice from, so this initially shocked me.

To set the tone of this post I will start with the fact that our date was bad. The food was bad, the beer was bad and the conversation sat comfortably somewhere between chitchat and public school lecture.  The only good thing to come out of this date would be this blog post, which has a lot of potential, but we’ll see where it all ends up. 

See, reader, I’ve had the idea to talk about my creative method on the blog for some time now. Lord knows every other writer in the world has been asked about their own process, so I thought I might beat the wolves to the bite.  The trouble came from not believing it would make for very interesting reading, and it was this issue that stopped me from writing about my method before. Admit it, if you sat down and saw a post that began with a monologue about which socks I wear when I sit alone in the kitchen to scribble out a bit of writing to share with you, you would skip it and go right to the stories about Cloudy Day and his detective agency.

At least, I hope you would.  I’m very proud of the way that story came out, all in all.

Now, when I went on this date I hadn’t the slightest hope that I would gain anything in the way of creative writing out of it. I suppose that just goes to show you, you never know where inspiration will spark. In fact, rule one of writing for Holding The Universe Together: You never know where inspiration will spark.

That’s a good spring board from which to launch the rest of my tale.

As I explained to my date that night, I don’t find the time to write, it just sort of comes along. I’ll be sitting at home or at work and a computer will happen to be in front of me and I will just so happen to feel like writing 800-1000 words. Honestly. I don’t think I’ve said anything so honest in my life. Some writers, very famous ones with loads of fans and published works, will tell their fans in their published works that any good writer should sit down and write at least a thousand words a day. Stephen King, in his book On Writing, explains that as you develop your skill and patience you will eventually come to a point where you are writing over two-thousand words a day.

That’s over-whelming. I tried it. One summer, the one I spent living in Alaska, I dedicated my time to writing at least one-thousand words a day. I felt great about it, I felt achieved and successful, even though all of those words are still sitting in a couple of journals near my bed at this point. As a result I did get a lot of ideas down on paper that I might never have if I hadn’t taken that time.

The problem is, it didn’t stick. It didn’t stay with me. And maybe that’s why I’m not an accomplished writer, but it’s just so… limiting. To sit and write every day with a goal in mind, it starts to feel like a chore. And suddenly writing isn’t any fun anymore.

I love to write, reader. I love it more than anything, and if I could do it with the dedication of Stephen King, believe me, I would be so happy. But I can’t. Or better yet, I don’t want to. I would rather let the moment happen, let the writing find me, rather than go hunting and searching for the writing. That sounds metaphysical and spiritual, but it’s not. I just believe that there is a time and a place when everything comes together in the right way and it doesn’t do anybody any good to go looking for that time and place.

So here I am, in front of a computer, and I am writing down ideas that have been floating around in my head for days. These ideas have been turning over in my head, mixing and mingling and becoming bigger and smaller at the same time, condensing and refining for a little over two weeks. Until now, when I find myself sitting near a computer on a rainy day, alone in my apartment ready an dedicated.

That’s how most of these stories and autobiographical collections came about. That’s how this blog came about. In its own kind of over-whelming nature, the ideas and words in my head craved an outlet.

I don’t think that my date understood the point I was trying to make. She seemed to be the type of person who focuses on the goal rather than the route while I am much more interested in the path under my feet than where it ends up. You may take this as a caution if you ever feel like going on a date with me.

In a jumbled up sort of way, there you have part one of this selection called: The Process.

I didn’t want to make it a two-part story when I sat down to write it, but now it feels like one. I certainly can’t go into the rest of my creative process in less than two-hundred words.  I will hint at the next section, though. In the next part I am going to talk about how my style has changed over time and my biggest influences as a writer. I’ll talk about what got me to this point, the advice I followed and the obstacles I’ve over-come. I’ll also try to get into the actual process of sitting down and writing for me, which will go into how I write, edit and when I know it’s ready to be published. Then I’ll talk about how it feels to share all this with anyone who happens to stumble across it and hopefully wrap the ideas I started in this blog in a neat little package.

See you for Part Two, reader. And as always, thank you so much for dropping in and reading.

Cloudy Day Detective Agency: The First Case P.6

There are subtle ways to end a story. Death, loss of a friend, loss of an enemy, or a simple  change of mind following a heartfelt conversation. The end comes along and you realize only too late that it came without provocation, without hesitation. It came without warrant and without a second thought. The story is over before you realize you’re in the epilogue, and your friend, your partner, sits across the desk from you with his head bowed to look over the fresh stitches in his arm. Gun shot wounds heal ugly. You can’t tell him this, not then. He’ll learn. You’ll both learn.

I faced the villain on the rooftop under the afternoon sun, his hat in his hands and a smile on his face. The man looked at me as if he were looking at a priest. Guilt seeped through the his pores; he stunk of bad choices.  I’m sure I didn’t smell any better.

The gun, a yard away on the gravely rooftop, winked at us with a spark of light from the setting sun.  It dared us to make a move. It dared me to be a different man. It dared him to be the same.

I looked at his eyes instead, yellow with malnourishment. Even beneath the man’s hat I could easily see his hair was greasy and thin. The longer I took him in, the less I liked my chances of being able to talk my way out of the situation.

Charlie had pulled every fiber of that standoff from me.  He wanted to know how I got off that roof with my life. How we all did; Scoop, the brave, young newspaper jockey and Charlie, the bleeding detective in the shadows of a decrepit staircase. And me, the man who just couldn’t get enough grit under his fingernails.

As we sat in our office with the fixed window and our names painted on the door just like the first day, I told him that if a man is gullible enough to toss away a weapon, he also might be fragile enough to crack. I didn’t regret my decision to come out from behind that vent on the roof. Not then, and not afterward, when blood pooled in the sunlight right next to that gun.

“What do you want?” the man had asked me. I had waited for his mark, and when it came I told him exactly what I wanted.

“I want to take you to jail,” I’d said.

His eyes had dropped to the gun, then to the top of my head. He wouldn’t look me in the eye.

I’d seen that grasping glance before.  I admitted to Charlie that if the man dived for his weapon I wasn’t sure what I’d’ve done. Charlie looked at me at first with humor when I’d told him this, then with pity. He knew all too well then that everything we’d overcome on that rooftop, everything we now owed our lives to, came down to luck.

I poured myself a drink and lit a cigarette. All this in a minute, maybe less, but it bought me time where I could sort my thoughts. Charlie needed to hear this, and maybe I needed to say it, but damn it if I would tell my story by someone else’s watch, even my partner’s.

The man on the roof thought for a long time about God knows what. He lifted his hat and scratched at his head. His hands were gnarled and boney. “You expect me to come quiet?”

“Yes I do.”

The noise from the street below grew and the wind whistled across the openings of the pipes sticking out of the roof. The man in front of me started to look away, toward Scoop and where Charlie lay on the dark stairs.

I blew smoke into the air between Charlie and me, watched it wisp away into nothingness against the ceiling of our office.

Steam lofted through the air between the villain and me on the rooftop, steam from the vents that I’d hidden behind when I came out from the staircase.

“I know it looks bleak,” I said and the man’s eye darted to my feet. “We can work this out. But you shot a man, and you didn’t even know his name.”

“I knew his name,” the man had said. “He may have had a few aliases over the years, but Mr. Gorbateski always went back to his roots. And to his daughter.”

“Gorbateski,” Charlie said. He leaned to his right in the chair, careful to not rest his patched-up arm on the arm rest.”That’s the man who bought the shipping yard after it went under. Got it for almost nothing.”

I watched Charlie for a moment, tried to find something in his face. Recognition, maybe, or maybe a clue to lead me to something I’d missed.  Or maybe, I was looking for myself.

“You’re trying to figure all this out,” the villain had said to me when he saw my reaction to the name.

“We shot her. We shot him, too, though it was me pulling the trigger on that one. We didn’t need to kill him since we were trying to wound him by shooting his daughter. It just worked out that he was waiting outside when she went in to talk to you.”

“You knew she would come to me?” I’d said.

“’Course we did,” the man had said. “Who do you think put your name in that paper on 4th street.”

“Those bastards,” Charlie said and used his good arm to slam a fist on our desk. “I can swallow shooting a man in cold blood, I can even tolerate taking a bullet from a man who killed for a couple of trains on the East side of town. But when that man tarnishes our reputation, which is barely a reputation to begin with, with false acclaims in a bogus newspaper, that’s where I draw the line.”

After Charlie said this, when the hard look on his face melted to a smirk, I nodded. Not because I agreed with him, but because I liked that he was there. Despite the fact that he was fool-headed enough to get shot, I was glad that he was my partner. And I wished that he’d been on the rooftop with me. 


“Why Gorbateski?” I’d said, but the villain had kept his composure. His face straight as an arrow, though his palms had sweat on them.

“Yeah,” the man said with a voice that dripped with malice. “Why would anyone have a hit put out on the biggest piece of scum in the city.”

“You’re no hit man,” I’d said. I told Charlie that the man laughed at me then. The man laughed a wheezy laugh that made me itch. Charlie smiled again, sympathetic this time. He knew how this all ended, and he knew how tempted I’d been to end it right then when the laugh came at me. And in Charlie’s eyes I saw what I’d felt only moments before. Charlie was happy I’d become his partner.

“You’re right,” the villain had said and pulled off his hat to run his knobby hand through his nasty hair. “I’m not exactly the hit man type. But I can point a gun, and pull the trigger, too. That’s not a skill too many people have these days. Anyone can point a gun. It takes gut to use it, though. And you know what else? I come cheap. Because I like pulling the trigger.”

At that’s when it had happened. I told Charlie about the crunching sound, like a dog that’d finally gotten a bite through a nice chunk of bone.  The villain fell sideways to the gravel. I watched as the brick that had struck the man in the head landed on his chest then slid off of him. The dust he’d raised cleared in the breeze, but the blood pooled.

“What the hell did you do?” I’d shouted and turned to find Scoop near the stairs with a pale face.

Scoop straightened himself and stammered before finding words.  Before he spoke, I saw something in the way he stood, something in the way he held himself after throwing the brick that would end our villain’s speech. I saw hope. He didn’t look mean or scared. Scoop looked sure of himself, sure, but he looked like he did what he thought was right.

When we’d gotten back to the office, Charlie had asked me why I gave Scoop our card and told him to call when something came up.  He didn’t like the idea of me enforcing a kid. When Charlie had asked me that then, I didn’t have an answer. As I told him my story, and he sat across from me at the desk after all this was done and I looked back at how it all ended, I knew I’d found my answer.

“If we don’t ask him for help,” I said to Charlie. “If we don’t give him something to do, someone else might. And in a city like this, where guys get shot for just reaching out at an opportunity, where whole families crumble beneath angry boots, it may be good for the kid to see that guys like us are still out there. We may not be perfect, and we may survive just by getting lucky, but if I told that kid to scram and find his own way in the world, I can’t help but think it might be his body we’re tracking the killer of next time.”

I chewed on the filter of the cigarette. It’d gone out sometime during my story.

On the roof, I’d stepped over to the man who lay bleeding. Up close, I could see the blood leaking from his temple, could smell it heating up in the sun, could almost taste it. I’d toed the man’s arm. It’d moved with no resistance. Against the small of his back, I’d found another gun. Smaller than the other, but just as deadly.

“I saw him reaching,” Scoop had told me then. “He was drawing you in, not the other way around. He was going to shoot you.”

I’d stood, more to get away form the dying man that anything else. The small pistol rested heavily in my palm.

“He never would have given away his employer,” I said to Charlie. “Scoop saved my life on the rooftop.  Save us all. We owe him.”

Charlie leaned back in the chair and it groaned with him. On the desk two mugs filled with cold coffee sat, ignored since I’d poured them. I waited for Charlie to speak, and as I did I lifted the mug closest to me and sipped at it.

“There’s one thing I don’t understand,” Charlie said.

“What’s that?”

“We heard Scoop stomping around like an elephant when we went into that house,” he said. “That’s how we found him and all. But then he sneaks up to the guy on the roof, close enough to lob a brick at his head, and you two don’t hear him coming.”

“Yeah,” I said. “How about that.”

The Void

Have you ever stared off into space? Lots of space out there, isn’t there.  Stars, planets, clouds and comets and dust. Lots and lots of cluttered space.

It’s quite comforting, seeing that we’re very small and there is something so impressive and big out there, just above us.

If you compare it to your head, a head filled with nonsense and trouble and things you’ve learned, what then?  How does your head feel, if you look inside instead of out. Does it feel heavy? Does it feel filled and busy?  If you’re like me, it may feel as busy as the space above. Shooting stars of fleeting thoughts, heavy planets of choices you’ve made long ago that are weighing on your mind. I feel it. And sometimes I don’t even realize that I’m feeling it, but I am. If I pay attention, if I really focus on it, I can feel the weight of each and every bit of knowledge and space dust bristling through my brain.

Now, have you ever done the opposite? Have you ever had the opportunity to stare off into nothingness?  Not nothingness like the vastness of space above, because that’s a cluttered void. Have you ever had the chance to stare off into a truly empty void. Have you ever stared off into true space?

I had the privilege of looking at a true void recently, a few weeks back. The feeling I got from doing that, it was instant. Weight lifted from my head and I physically felt my shoulders raise from the lifting of it.

At my job, a silly old job, but one that demands quite a lot of creative thinking to avoid obstacles, I found a void.

Here’s how:

During a normal day I am given half-an-hour to find lunch and eat it. On most days I end up eating at my desk as I work. These days this doesn’t sound like much of a new concept, I know, but that’s the way it was for me, anyway.  One day, there I was walking around the food court hunting after something to eat. I don’t remember what I got, a burger probably, but I do remember finding a seat. This was rare. Usually, in this food court every seat would be taken and, when vacated, swiftly filled with another bottom.

I found a seat for the first time in the months that I’d worked this job. I took the seat and decided that on that day I would take the time to myself, let myself unwind a bit from the day.  This decision was important for two reasons. The first, it gave me the chance to sit near the large window that took up an entire wall in the food court. The second, by deciding to pause my day, I opened myself up for what happened next. I’m not sure if this would have worked if I didn’t  open myself up first.

Back to that window, because it leads to me finding my void. This window is a massive construct of a hundred smaller windows that, on a normal day, would provide a view of the world outside. People could look though them and see the weather, the mountains and so much more if they really looked. When I sat in front of it, the window was black. It was night out, you see. I managed to sit down in front of the window with a meal maybe an hour after dusk.  Due to my hunger I barely register the window as merely another feature of the room; a feature just like the plants hanging in planters, the coffee shop and the tables and chairs.

After a few bites of food I reminded myself that I’d come to this spot to decompress and I slowed down. I set the burger down and looked around me. Not right away, but eventually, I found the window. At first I didn’t think much of it because I couldn’t see anything through the glass, not even the mountains in the dark. Then I recognized what I was seeing: Nothing. True and absolute nothing. The world was so dark and so distant through those windows it couldn’t be found. I had discovered a true void.

It was then and there that I started calling the window “The Void”. I didn’t realize the whole weight of my discovery for a few days, and after another visit to The Void. But that first time, when I looked into a true void, I felt everything leave my mind. The work that needed finishing, the people I needed to talk to and e-mail, even the uniform I wore and bore the emblem of vanished from my thoughts when I looked into The Void. I became so free and, though I didn’t understand completely, I felt the impact instantly.

I mentioned openness earlier. I said that it was important that I be open to experiencing the void because if I had been closed-off and full of worry about my day ahead or how I would manage all my daily tasks, I would have looked at that window and then looked away. There would be no experience involved and I would have forgotten the window just as easily as I’d found it. Some time before this experience I’d looked into Chakras. Through that research I found how important it was to take in the world around you. Through opening the first Chakra, also known as the Root Chakra, I recognized how important it was to ground yourself to the earth, to feel your bond with the world around you. I believe that it was through this understanding that I could feel this true void in front of me.  If I’d not looked into Chakras, I might not have been able to open myself, or unable to understand that I had opened myself.

That being said reader, I don’t mean to tell you that you won’t be able to feel a true void if you haven’t played with your Chakras. I also won’t pretend to be the only one who has ever felt a true void. But for those of you who haven’t, or want to better understand what you felt when you discovered a void and didn’t know what to make of it, I hope this will bring a little clarity.  If nothing else, maybe this will merely spark a bit of interest in you.

At first, I found the feeling addictive. I wanted more of The Void. But I restrained myself and, like with anything good in this world, I practiced moderation. I let that void lift me, give me weightlessness for the first time in so long, probably since I first started being weighed down by school work and emotional troubles of adolescence. Maybe even earlier. Then I let The Void go.

Maybe I’ll go back when it all gets to be too much again. This world isn’t all about looking at stars and airplanes and smiles and cars. Sometimes you need a good bit of nothing to dissolve into for a few seconds and recharge.

Cloudy Day Detective Agency: The First Case P. 5

“Fucker shot me in the arm.”

Charlie’s breath was hot on my ear and he groaned when I moved him.  He leaned against the wall, the light from the newly opened trap door above us showed me the wince etched into his face.  His left arm leaked blood.  I wiped at my cheek, blood there, too.

“Scoop, I need you to find something to throw,” I said.  Scoop didn’t move.

“Scoop,” I said again, just as calm as the first time.

“Something to throw,” he repeated and ran off.  I took off my tie, just a shade off from Charlie’s blood.  Charlie turned to face me, offered his shoulder. I found the wound on his upper arm, just more than a graze.  A shallow wound that would bleed a lot. With both hands I tied the tie in a thick knot around the hole in Charlie’s arm. He groaned again.

“You’ll live,”  I said, and I stood to admire my handy work, and my brave friend.

“That’s more than I can say about that fucking kid up there,” he said through gritted teeth.  And he stood up, the top of his head white sunlight.  His hat had fallen off, vanished below us in the dark.

“We’ll see what we can do,” I said.

Scoop returned from his search with a brick and a short piece of rotten wood that looked as though it had been pried from a wall in the hallway.

I grabbed the brick, weighed it in my hand, and traded him for the wood. It had some heft to it despite the fact that it had just about hollowed with rot.

“Stay here,” I instructed them both. Charlie arranged the knot of my tie on his arm and Scoop looked at the brick in his hand, but neither argued.

I climbed to the highest point of the staircase I could get to without exposing myself.

I waited, counted to thirty, hardly breathed.  Then I found him.  There was gravel on the rooftop, and the man who shot Charlie stood about ten feet from the trap door.  I couldn’t see him, couldn’t see anything on the rooftop, but I could hear him shifting his feet.  I could hear his breathing, thick and fast through his nose.

I lifted the wood, brought it back, and threw it high in his direction.  I heard the gasp that followed and wasted no time in jumping up the last few steps and tumbling over myself, and ending up just behind a boxy, metallic air duct.

“I saw you,” he called at me.

“I got a medal for you for that,” I called back at him. “Come and get it.”

“What are you doing?” he yelled. “You just trapped yourself.”

“We’re surrounding you,” I said.  His shifting in the gravel had ceased.  “Scoop, on my mark.”

“What are you doing,” he said, his voice raising. “Stop it.”

“Ready Cloudy,” I heard Scoop from the stairs. I didn’t intend for him to do anything, I wanted him to stay out of the way, but his playing along helped a great deal.

“Stop this,” the man who shot Charlie called to us. “Stop this now.”

“On my mark,” I shouted to Scoop.

“OK,” the man said. “Ok, we can talk. Let’s talk.”

“A little late for that, son,” I said.

“I want to talk,” he said. “Let’s just talk. Look. Look.”  The unmistakable sound of a heavy object falling to the gravel at his feet. 

I waited. Being a detective, even a new one, tested my patience more than my nerve, more than my stamina or grit.  The ability to wait proved to be a valuable tool.  As my career progressed I discovered that the game could often be won when I could merely wait longer than my assailant.  As I waited on the rooftop that day, the sun beat the back of my neck, small rocks dug their way into my knees, and I discovered how important the wait could be.

After an amazing amount of time, he said, “Let’s talk.”

All of the anger had left his voice.  I could almost taste the dejection in his tone.

“Ok,” I said, and I stood.

I caught sight of him just as my head came over the top of the duct. His empty hands were held up in front of him. When I reached my full height I saw the gun laying at his feet.

I came around the duct and stood ten feet from him in a spot where the reflection of the sun shone on his gun at his feet, kept my attention on it without having to look away from the man’s eyes.  He had been sweating, his loose shirt was damp in spots and his pants were dirty. Heavy circles under his eyes and the sallow quality of his skin told me he hadn’t slept.  The hat on his head looked tattered on his shaggy head. There was no watch on either wrist, and his hands were callused.

I showed him my own palms, proved that I was unarmed, and said, “Let’s talk.”